Behind the scenes feature for 'The Phantom of the Opera' (1989). Included on the Shout! Factory blu-ray.

This made-for-television documentary tells the story of the creation of the world's most successful musical, Andrew Lloyd Webber’s The Phantom of the Opera.

Das Phantom der Oper was a 1916 silent film. The film, also known as Das Gespenst im Opernhaus, is notable for being the first film adaptation of the 1910 novel The Phantom of the Opera by Gaston Leroux. The film is now believed to be a lost film. No copies, photographs or even a poster of the film remain. All that is known is that it was made in Germany in autumn 1915, directed by Ernst Matray, starring Nils Chrisander as the Phantom and Aud Egede-Nissen as Christine, and Raul played by director Ernst Matray.[1]

An in-depth look at the Lon Chaney Sr. horror classic and other "Phantom" films.

After many years of research, Gaston Leroux has finally tracked down the last remaining witness who can unravel the mystery of the 'Opera Ghost'.

暂无剧情简介

一名刚获得资格的外科医生在他们的病人因疏忽死亡后，替他吸毒成瘾的同事承担了责任。

Dr. Bob Shushan is an overworked and absent father who runs a centre for the mentally and physically challenged. When Shushan suffers a heart attack, his life is saved by James Jones, a young patient at the center. The two men forge a friendship and help each other rekindle the father-son bond that has been missing in their lives.

Financier Mark Harrold is responsible for the financial ruin and subsequent suicide of Stanton. Following his death, Stanton's daughter Margaret, seeking revenge, goes to work for Harrold's beloved daughter Helen. The latter plans to marry the dashing Lord Strathmore and thus attain her social ambitions, but Margaret, to avenge her father's death, wins Strathmore away from her by deception. After their marriage, Margaret leaves Strathmore, claiming that she never loved him. With the birth of their child, Margaret becomes ill and blind, but Strathmore finds her and gives her money under an assumed identity. Following an operation that restores her sight, Margaret recognizes her husband as her benefactor and realizes that she loves him.